Welcome Metalheads and Music Fans!
*Lets get right to it, Nuclear Assault have just finished a very successful tour of Europe. They toured with Atomkraft and Agent Steel and sources say it was great. Special thanks [from the band] to all the overseas maniacs. All hail: beer, legal hash, beer, space cakes, beer, women with foreign accents, beer, red light districts, beer, tour buses, beer, and PD’s!
The Plague EP is out, so what are you waiting for — go get it!
That makes three pieces of vinyl the Nuclear ones have released so far. They are:
…all on Combat Records in the U.S., and on Under One Flag in Europe. They will be recording a new LP in L.A. but it won’t be out until spring of 88′.
These East Coast dudes kick major ass and are personal favorites of mine, equally mixing metal, thrash and hardcore; effectively spitting out what is being called ‘crossover’ now.
Their music is rough and raw and in your face at all times. Lyrically they tackle pretty much anything that pisses them off and vocalist [and guitarist] John Connelly has a very unique — yet powerful vocal delivery style and range. Everyone knows by now that John and bassist Dan Lilker were involved in the early versions of ANTHRAX.
After much revolving door personnel, they ended up getting together with guitarist Anthony Bramante and drummer Glenn Evans (ex-T.T. QUICK) to round out this up n’ coming band from New Jersey. Move over ANTHRAX, these guys are coming out of the East Coast metal underground scene with full force.
Read on, as I get a snapshot of all things Nuclear in this interview from Dan Lilker and Glenn Evans.
To start of with, how did you guys meet [originally] and when did you form the band?
Dan Lilker: I formed the band with John in early 84’. We got Anthony and Glenn through friends plus old members.
Who came up with the band name and is there any special meaning behind it?
DL: I did. It’s supposed to be REAL, not satanic or nothing.
How old are the members of the band please?
DL: I’m 23 years old. Anthony is 24, John’s 25 and Glenn is 29.
What was the hardest part in getting the band together? And the record deal with Combat?
DL: Keeping the faith when we were broke and depressed! We had a lot of labels interested and they had the best offer.
Were you an original band from day one?
DL: Do you mean the same members, if so — no. Or do you mean did we ever do covers, — no.
Have you had any difficulties keeping a steady line up? That seems to plague many younger bands, or bands in general even!
DL: In the old days, but now it’s been solid for two years.
Your latest release is a six song EP entitled The Plague, are you happy with the final result and how well is it doing ?
Glenn Evans: Yes, very happy! We’ve received great response worldwide.
DL: It’s been doing well but we don’t have any exact sales figures.
Who produced that EP and how long did it take you guys to complete?
GE: It was produced by Randy Burns. It took about a week to record and mix.
The Plague EP has a song called Buttf**k [which kills], have you received any complaints or any hassles with all these censorship people?
GE: Not from censorship people just from major record store chains — they refuse to carry it!
Your music is mixing metal with hardcore, which are you influenced by the most and who are some of your influences?
GE: I’m mostly influenced by metal. I like hardcore music also too though. Influences: Black Oak Arkansas (w/Tommy Aldridge on drums), Kiss, Black Sabbath and Aerosmith (Sweet) etc.
DL: I’m influenced by thrash, hardcore, old hard rock (Scorpions) etc.
What’s the newer thrash | crossover scene like in your area?
DL: It’s really happening; lots of cool bands in the crossover vein.
Nuclear Assault and the Cro-Mags at L’amour, Brooklyn NYC, 1986
You were one of the first bands to play this style right? And do you consider yourselves an originator for this style?
DL: People call us ‘originators’, we’re not gonna’ say that ourselves though.
I’ll bet you have a pretty loyal following at home?
DL: F**k yeah dude!
You have a new LP coming out soon right? Can you tell us more about it and when will it be released?
GE: It will be recorded in January at Music Grinder studios in Los Angeles, California. It should be out by spring of 88’.
What are some of the song titles?
Are you going to stick to the basic formula or sound for the new LP?
DL: What do you mean ‘formula’?!
Will the new album be on Combat Records again (stateside) and Under One Flag Records (overseas)?
GE: Yes, to both!
How are the labels treating the band these days?
Have you had any other label offers or are you under contract with Combat?
GE: Yes, we’ve had many offers, and yes, we are still under contract with Combat…that’s the problem — we’re working it out.
Does the band have any touring plans yet, what about overseas/Europe?
GE: We plan on heading back to Europe in the spring. We play as much as possible, whenever possible.
Who are some of the bands that you like to perform with?
In your opinion, what is NA like live — if you were to describe it?
DL: From videos I’ve seen, it’s like fun…just good sweaty time, no egos.
What is the wildest and or best gig that you’ve done to date?
DL: That would be impossible to answer. Not to sound conceited but all of our shows are wild!
Are the crowds different here in the states vs. overseas and where would you say you are most popular at?
DL: Not really. Same shit: banging, moshing (or trying to anyway) and [stage] diving! I guess we are most popular at home in New York, but it’s hard to say.
Do you like being on the road touring and playing out all the time?
DL: Yes, it’s great going far from home plus meeting people…it’s a total blast.
What was your first gig like?
DL: It was a Wednesday in New Jersey, with like thirty people there [laughs].
Do you still get stage fright sometimes?
DL: No – I’m too psyched!
How crucial has touring been for the band to get out there…to be noticed worldwide?
DL: Absolutely crucial. We’re a “live” band by all means — that’s our element.
I haven’t seen you live yet, I assume you get a lot of slamming and stage diving at your shows, are you against it or do you mind?
DL: We get a lot of it. It’s cool as long as people don’t get hurt or f**k up our equipment!
Where do your lyrics come from and how is the songwriting split? Do you for research for lyrical content/inspiration?
DL: Not really, that would take out some of the emotion and spontaneity. The lyrics come from whatever concerns us or pisses us off. John and I split it [the songwriting] pretty evenly.
When did you start playing?
DL: Who me? Um, when I was fourteen years old. The band’s first gig was in November 1984.
What did you learn from releasing your debut LP Game Over and looking back, are you happy with it?
DL: To get a better guitar sound. That’s the only thing that’s bad about it.
So where does NA go from here and what do you have in store for your fans (if anything)…any surprises?
DL: Who the f**k knows…hopefully up! Re: surprises, I don’t know, and if we did have a surprise we’re obviously not gonna’ say what it is, that would kinda’ defeat the purpose.
Are there any plans to make a promo video for a song?
What’s your definition of ‘good’ music?
DL: That’s too vague; I guess something that makes you want to hear it again. I mean, I don’t like the Scorpions for the same reasons I like Napalm Death.
Is there anything else you would like to add? See you soon at Bogart’s in Cincinnati. Thank you for your time and for hand-writing the interview answers!
DL: See you on tour! And be happy you don’t have to do long interviews [laughs].
1.) Do Unto Others – Cro-Mags
2.) Phoenix – The Cult
3.) Polluted Minds – Napalm Death
4.) Drugs Saved My Life – Capitalist Alienation
5.) F**k Off and Die – Voivod
Live At Hammersmith Odeon
Out Of Order
Live At The Hammersmith Odeon
Assault And Battery COMPILATION
2003 Screaming Ferret
Third World Genocide
2005 Screaming Ferret
Atomic Waste: Demos & Rehearsals COMPILATION
2012 High Roller
*From original Nuclear Newsletter 87′
**Discography BNR Metal pages.
When ANACRUSIS sent us their Annihilation Complete demo last year, I knew good things were just around the corner. But, before I had the chance to praise their stunning songs in the glorious pages of Demolish ‘zine, I was sent yet another tape in the mail – only this time, it was actually a pre-release of their début album entitled Suffering Hour.
AXIS Records was the smart label that spotted their [undeniable] potential and did a great job by picking these guys. The demo was good, but I have to say that they sprung onto vinyl with new life and surprised me one more time!
This quartet from the Midwest (St. Louis) have a quite versatile + unique metal sound that shines on tracks such as: Imprisoned, Twisted Cross and a slightly more melodic approach on Fighting Evil and A World to Gain. The thrashin’ tracks like R.O.T., Frigid Bitch and Annihilation Complete/Disemboweled however, kinda’ cut their sound in the originality department a bit (with detectable sounds of Metallica, Slayer and Metal Church creeping in). I can tell they are hinting at something great overall, but due to a limited budget and time in the studio some of the tracks are not as realized as they could be.
Don’t get me wrong, they fuel-the-fire with plenty of their ‘own wood’ so-to-speak, on Butchers Block – which is my favorite track of the bunch because of it’s marching, rhythmic/anthem-like grinding! One might even hear a dash of TROUBLE in the midst of all the heavy riffing.
I think the slower, melodic songs are under better control and or offer more finesse compared to the fast-paced thrashers. It is on these tracks that vocalist Kenn Nardi ‘sings’ instead of blending in some of those high-pitched screams, which I find at times hard to cope with [laughs].
Another notable/standout track is Present Tense (my second favorite track).
*The only tracks that I haven’t mentioned would be a rapid-fire version of BLACK SABBATH’s “N.I.B” and even a quick run through of the Munsters Theme song. I am not sure if these songs will make it to vinyl but they were an added bonus – for me at least on this advance copy.
This album is a good, solid start at a promising musical career and given the time to mature, I am sure this young band will please lots of people if given the chance [hint, hint].
Kenn Nardi – guitars and lead vocals
Kevin Heidbreder – guitars
John Emery – bass guitar
Mike Owen – drums, backing vocals
DOWNLOAD their N.I.B. cover song here
The band went on to further develop their unique sound and put out three excellent releases that I’ve always thought were under rated. Another lost (but not forgotten) kick-ass band from the Midwest that could’ve – should’ve – would’ve went farther than they did. Kudos for the band for putting together an excellent archival website for the fans, other bands take note – this is HOW to do it properly. Great job Kenn!
Manic Impressions (1991)
Screams and Whispers (1993)
Hindsight: Suffering Hour & Reason Revisited (2010)
Recorded in 2009-2010, this double album consists of fully re-recorded versions of Anacrusis’ debut album SUFFERING HOUR and follow-up album REASON. Featuring all four original members, the band recreates their thrash, doom and power-metal roots in an updated version of these 1988 and 1990 releases.
*They also filmed a special reunion DVD that is recommended if you are fans of the band.
In 2009, the band announced that the original line-up of Kenn Nardi, Kevin Heidbreder, John Emery and Mike Owen would reunite for a performance at the 2010 Keep It True XIII Festival in Germany. Also in 2009, the band released a CD/DVD anthology of early material on Stormspell Records. The package included their 1987 “Annihilation Complete” demo along with other demos, rehearsal recordings and early live footage.
In preparation for their first festival appearance in 17 years, Anacrusis played a reunion gig at T. Billy Buffet’s, St. Louis, on April 18, 2010.
On April 23, 2010, Anacrusis gave a performance at Germany’s Keep It True XIII festival at Tauberfrankenhalle in Lauda-Königshofen. Later that year, the band announced they had decided to play more shows.
During the year 2010 the band worked on some new material, but by now just one new song “This Killer in my House” was released on the “Silver Ag47 – Best of Anacrusis” CD.
On February 26, 2011, the band played a headliner show at the Firebird in St. Louis.
On June 12, 2011, Anacrusis played at “Rock Hard Festival” in Germany. The whole festival was filmed by German TV – WDR Rockpalast -, to be broadcast on German television.
The band played at Skullfest, St. Louis, on June 24–25, 2011, and Alcatraz festival in Belgium, on August 27, 2011.
I’m just going to tell you right of the bat that this Georgia-based band, who are cleverly named Kinetic Dissent, are one of the best unsigned bands in the underground. Pretty bold statement huh? Well, I wouldn’t say it if I didn’t think they deserve it.
Controlled Reaction is the appointed name for their second demo and I seriously think it was one of the best demo tapes I’ve heard in all of ’88. Definitely top ten list. This congregation has managed to materialize four songs that are extremely impressive…to say the least. The songs Choose Your Fate, Cultured Illogic, 12 Angry Men and Faces of the Fallen are some of the finest in metal today period.
Their song writing is thought-provoking, the music is heavy | dynamic and [a tad bit] progressive. The audio on the demo sounds great and is packaged equally impressive. This is a welcome change compared to the majority of packages (you wouldn’t believe some of the stuff we receive at the Demolish HQ).
Honestly, I cannot figure out why they aren’t signed to a label yet. Come on—A&R guys get your heads outta’ your ass please.
Jeff Hates Us All [laughs]!
“Unfortunately we lost one of the great guitarists in all of music recently… Jeff Hanneman of Slayer. The loss struck closer to home for us than the likes of Dio or Jon Lord, while they were a blow to heavy music, Hanneman was our generation of metal and our entry into extreme music.” ~Mark R.
VADER live guitar action!