Another killer Metal Fest and line up of bands (NOT in the U.S. though = of course!)
Pre-X-Mas party time…Metal style. \m/
Another killer Metal Fest and line up of bands (NOT in the U.S. though = of course!)
Pre-X-Mas party time…Metal style. \m/
Back in the late 80′s when all things rock and heavy metal dominated MTV and the Billboard Charts, I ran across some [extremist] religious propaganda that linked the usual sex, drugs and Satanism to various forms of music and specific bands. I couldn’t remember the exact name or details of the paper as it was originally only available as a [xerox] copy. This was way before the internet folks!
The “list” appeared to be a well-worn 20th generation copy that was given to me by a family member who presumably thought I was going straight to hell by listening to Metal and or hanging around metalheads/heathens and by going to rock concerts and such.They were singling out AC/DC and said the lightning bolt in their logo signified the devil and on and on about how lewd Bon Scott (R.I.P.) was.
Something made me think of that silly paper recently, and so I typed some various phrases into Google in an effort to find said propaganda and share it with you. It was outrageously funny and I am sure many of you would get a kick out of it. Well, unfortunately I did not succeed in finding it, but I did find something similar that I will share with you now. It’s a 23-year old paperback book entitled: Occult Invasion: The Subtle Seduction of the World and Church by Dave Hunt. Before I go any further, let me state that I am not against any religions and I would like to send condolences out to the authors family; he just passed away a few days ago oddly enough. Evidently he was a popular character and published many books and spoke on syndicated radio shows…even though I only learned about him this week!
*I am not promoting the book in any way shape or form, feel free to check it out online if you’d like (there’s plenty of used copies for $0.90). I really liked the various quotes with bands and creative artists (from John Lennon to Jim Morrison to Strauss) that it featured. I assume they were included as examples on why you shouldn’t listen to them and or what they are doing was wrong. If the first part of the sample doesn’t tickle your fancy, then skip to the Identifying the Modern Muse section below.
Here’s the book’s short description:
In Greek mythology the arts were under the direction of the nine daughters of Zeus by Mnemosyne. These nymphs, or lower deities, also known as muses, inspired writers and artists. The Muse Euterpe was the inspirer of lyric poetry; the Muse Terpsichore inspired music and dancing. Johannes Brahms felt that at times when composing he was “in tune with the Infinite.”
Although he believed that his inspiration came from God, the fact that he admitted having to be “in a semi-trance condition… [with] the conscious mind… in temporary abeyance,”‘[Willis Harman and Howard Rheingold, Higher Creativity (Jeremy P. Tarcher, 1984), pp. 46-47; cited in Knlimo, Channeling, p. 314.] as with a spirit medium, betrays another source. God does not inspire trance mediums. Tchaikovsky confessed that under similar inspiration he “behaved like a madman.” [P.E. Vernon, ed., Creativity Selected Readings (Penguin Books, 1970), p. 57.]
Richard Strauss was sure that at least some of the music he wrote was “dictated” to him by “Omnipotent Entities” not of this earth. [Harman and Rheingold, Higher Creativity, p. 46.] The great opera Madame Butterfly, Giacomo Puccini was convinced, was dictated to him “by God.” [Ibid.] Gustav Mahler claimed that he was compelled by other powers to compose what he hadn’t chosen to write. George Gershwin testified that Rhapsody in Blue came to him suddenly, that he heard and saw as though on paper “the complete construction of the Rhapsody, from beginning to end.” Of his hit song “The Blizzard,” country-western composer Harlan Howard said his pencil just kept on writing, surprising him as it went, and he wondered, “Did some great songwriter in the sky use me as a medium?” [Klimo, Channeling, pp. 314-15.] Operetta composer Rudolf Friml said:
“I sit down at the piano, and I put my hands on the piano. And I let the spirit guide me! No, I never do the music. I never compose it; oh no, no!
“I am a tool. I am nothing. I am being used. It comes from someone, a spirit perhaps, using me.” [Ibid.]
We can only conclude that, just as they all believed, some entity or entities not of this world have guided these composers. But who are these entities? And what about Benny Hinn, Kenneth Copeland and other charismatic leaders who claim that the Holy Spirit inspires them to speak forth some prophecy that proves to be false? And what of the claims that Christ has even appeared to some of them?
Would Jesus really appear to [David] Yonggi Cho in a red fireman’s uniform, or to Oral Roberts in a form 900 feet tall, as these men claim? And could the countless apparitions around the world really be the Mary who gave birth to Jesus, when they speak forth so many lies and continually contradict Scripture? Who or what are these beings? What is their purpose? The question of the identity and purpose of these entities requires a careful answer.
Music has had a key role in the occult as far back as history records. The pulse-beat of drums and rattles is vital in voodoo and most shamanism, to which rock music is closely related. “Christian rock groups” mimic the beat that shamans have long used to call up demons. Ray Manzarek, keyboard player for the rock group The Doors, explains the relationship between shamanism and modern rock:
Many rock stars have been involved in the occult and admit to a mysterious source of inspiration. John Lennon told of mystical experiences as a young teenager: “I used to literally trance out into alpha… seeing these hallucinatory images of my face changing, becoming cosmic and complete.”
[The Playboy Interviews with John Lennon and Yoko Ono (Berkeley, 1982), p. 169.] Of his songwriting Lennon said, “It’s like being possessed: like a psychic or a medium.” [Ibid., p. 203] Much credit for fomenting rebellion and turning millions of youth against God and the Bible belongs to the many rock stars beginning with Elvis Presley. The Beatles’ own press agent, Derek Taylor, confessed:
“They’re completely anti-Christ. I mean, I am anti-Christ as well, but they’re so anti-Christ they shock me…” [Saturday Evening Post, August 6, 1964.]
According to Keith Richards of the Rolling Stones, “The Stones’ songs came spontaneously like an inspiration at a séance. The tunes arrived ‘en masse’ as if the Stones as songwriters were only a willing and open medium.”[Rolling Stone, May 5, 1977, p. 55.]
Of the Beatles Yoko Ono has said, “They were like mediums. They weren’t conscious of all they were saying, but it was coming through them.” [Playboy Interviews, p. 106.]
Of the inspiration process Marc Storace, vocalist with the heavy-metal band Krokus, told Circus magazine:
“Little Richard” said, “I was directed and commanded by another power. The power of darkness… that a lot of people don’t believe exists. The power of the Devil. Satan.” [Charles White, The Life and Times of Little Richard (Harmony Books, 1984), p. 206.] Jim Morrison called the spirits that at times possessed him “The Lords,” and wrote a book of poetry about them.
[James Douglas Morrison, the Lords and New Creatures (Simon "Schuster, 1970).] Folk rock artist Joni Mitchell’s creativity came from her spirit guide, “Art.” Nothing could detain her when he “called.” [Time, December 16, 1974, p. 39.]
Contemporary musicians offer the same consistent testimony regarding inspiration by otherworldly entities that we find among the most famous composers from the past. Today’s musicians, however, admit that much of their inspiration comes from an evil source. Why should we doubt their testimony? David Lee Roth, who wrote “Running with the Devil” and called himself “toastmaster for the immoral majority,” admitted that the goal in the world of rock was to conjure up evil spirits and surrender to them:
“I’m gonna abandon my spirit to them, which is actually what I attempt to do. You work yourself into that state and you fall in supplication of the demon gods…” [Rock, April 1984, p. 30.]
Superstar Jimi Hendrix was not so eager to be possessed but seemed rather to have been a victim. Called “rock’s greatest guitarist’ and known as the Voodoo Chile of the Aquarian Age, Hendrix “believed he was possessed by some spirit,” according to Alan Douglas. His former girlfriend, Fayne Pridgon, has said:
“He used to always talk about some devil or something was in him, you know, and he didn’t have any control over it, he didn’t know what made him act the way he acted… and songs.. just came out ……… He was so tormented and just torn apart . . and he used to talk about …having…somebody… drive this demon out of him.” [Sound track from film Jimi Hendrix, interview with Fayne Pridgon (side 4).]
Steven Halpern, one of the best-known New Age composers, testifies, “I started recording what I received in trance or altered states…. I ended up being guided.” [Ibid.]
This type of spirit guidance is widespread. In Chapter 1 we referred to the nuclear scientist who was taught advanced concepts by spirit beings. We noted that Chester Carlson, inventor of the Xerox photocopying process, received guidance for his invention from the spirit world. [Chester Carlson, New Frontiers Center newsletter, Fall/Winter 1986, p. 9.] Medical scientist Andrija Puharich, holder of more than 50 patents, gave his opinion about these strange inspirations:
About the Author
Since 1973, Dave Hunt has steadfastly addressed the incursion, into Western culture and the church itself, of Eastern, psychological, mystic, and selfist philosophies, ecumenism, and other un-biblical teachings. At least 4 million copies of his books have been sold and have been translated into more than 50 languages.
For more than a decade, Dave challenged listeners weekly on the radio program Search the Scriptures daily, broadcast over 350 stations in the U.S. and worldwide via shortwave radio.
Any of you metalheads ever start out on one of these back in the day?
It’s hard to believe that something like this can happen to a veteran band like SLAYER. But here it is nonetheless!
So here’s a big F**K YOU to the manager or management team that drafted this [lopsided] touring contract and the weasel entertainment attorney(s) that allowed this to be signed by the band in the first place. Of course I am purely speculating here – based upon what you are about to read, so if it was all legit and or a big cover up to screw over Mr. Lombardo (sic) then lets move the barrel over and set the sights on the remaining three band members.
SLAYER is only SLAYER, when all four original band members are together and firing on all cylinders. SLAYER without Dave Lombardo is a pale imitation. To say that Dave’s stellar groove, sound and power are key integral parts of this power puzzle would be an understatement. I thought they had figured that out the hard way over the decades, but I guess not. It’s really a shame that bad business decisions continue to haunt such insanely talented/legendary bands as SLAYER.
Statement From Dave Lombardo Regarding Slayer Australian Tour 2013
“I want to personally apologize to all of our fans in Australia who have bought tickets for the tour expecting to see me in my usual place on the drums.
So that you all know the truth, as of the end of the business day on February 14th, I was notified that I would not be drumming for the tour in Australia. I’m saddened, and to be honest I am shocked by the situation.
Last year, I discovered 90% of Slayer’s tour income was being deducted as expenses including the professional fees paid to management, costing the band millions of dollars and leaving 10% or less to split among the four of us. In my opinion, this is not the way a band’s business should operate. I tried rectifying it by letting my band mates know, and Tom and I hired auditors to figure out what happened, but I was denied access to detailed information and the necessary back up documents.
I spent the Christmas and New Year holidays realizing I had toured all over the world in 2012, but yet, had not been paid (except a small advance) or provided a proper accounting for a full year’s sweat and blood. On top of this, I was told that I would not be paid until I signed a long form contract which gave me no written assurance of how much or on what basis management would deduct commissions, nor did it provide me access to the financial budgets or records for review. It also forbade me to do interviews or make statements having to do with the band, in effect a gagging order.
Last Monday, I sat down with Kerry and Tom to rehearse for Australia and to propose a new business model that I felt was the best way forward for Slayer to confidently protect itself so we could do what we do best . . . play for the fans. Kerry made it clear he wasn’t interested in making changes and said if I wanted to argue the point, he would find another drummer. On Thursday, I arrived at rehearsals at 1 pm as scheduled, but Kerry did not show. Rather, at 6:24 pm I received an email from the lawyers saying I was being replaced for the Australian dates.
I remain hopeful that we can resolve our issues. But once again, I sincerely apologize to all of our fans in Australia who spent their money expecting to see the 3 of us original Slayer members.
I look forward to seeing you in the future.”
*At press time Slayer confirmed that Jon Dette will drum for the band on its Australian tour.
Lichtenvoorde, The Netherlands
20th to 22nd July 2012
Over the years, the Zwarte Cross or “Black Moto-Cross” festival has grown to become the biggest festival in The Netherlands and the largest motor cross festival in the World with over 152,500 visitors in 2011. The festival is a mixture of motocross sports, music, camping and bizarre stunts. This year’s 16th edition of the festival was held from July 20th to 22nd.
The program was full with over one hundred national and international acts performing on twenty stages!
Although there were DJ’s, rock/pop and blues bands, it was the Metal stage that got our attention.
Here is a partial list of the heavier bands.
Please enjoy a selection of pic’s from this years festival.
*Click on any image to view the slide show. Use arrows to navigate. Esc when finished.