After the overwhelming response we received from the first Metal Fanzine Gallery feature, I thought I would put together another super rare set of fanzine cover scans.
Please enjoy a few scans below from someof the great Metal Fanzines & magazines from all over the world. There are many more available and we will be adding more in the future. Please feel free to send any Metal Fanzine scans if you have any that should be included. I am only looking for issues from around 1980 – 1990.
*to enjoy the slide show gallery, click on any image. Use arrows to navigate
*If you published a fanzine within these years and would like to be included, then please get in touch by all means. If you are still “alive and kicking” in 2012 then I may be interested in doing an interview with you!
WARNING: “Everybody who will be writing HELLOWEEN with an “A” or tries to distribute pamphlets with an “A”, will be turned into a pumpkin”! You’ve been forewarned folks…
Original promo cover shot - Metal "pumpkin head"
You gotta’ love the 80′s Metal bands —especially from Europe and beyond. What they lacked in mastery of the English language or lay out skills, they made up for with a strong D.I.Y. work ethic and kick-ass music. This post is case in point. It seems it was the norm for German bands (West Germany in this case) to create and produce their own press kits and or makeshift mini-’zines about their band or music. I liked this idea and it was quite entertaining to read sometimes.
Some of these “pamphlets” as they call them, were like mini newsletters and contained tour news, band photos, and other misc. odds n’ ends. I have one from WARLOCK here that even had adverts from Reebok shoes (ha – must have been the choice of German Metalheads back in the day!).
This particular newsletter/pamphlet was to promote the new (at the time) self-titled début HELLOWEEN (EP), as their excellent full-length “Walls of Jericho” LP wasn’t even recorded yet until later that year [1985].
HELLOWEEN - Back page promo pic
Click to enlarge
*Within this newsletter, you could buy band T-shirts, badges, stickers, autographed photos, and even a poster —all in black & white, simply by using the order form. You could even order their entire recorded output direct on vinyl from them too via this pamphlet.
Being that it was coming from West Germany, I am sure it could have easily taken a month or two to receive back when! No kiddin’ folks, you had to have a bit of patience to be a true Metalhead in the 80′s. I guess that just made you appreciate the music even more when you finally received your package via “snail mail” (they don’t call it that for nuthin’!).
I will re-type the promo text as-is for posterity (not to make of/with):
HELLOWEEN is a four-piece German Power Metal band from Hamburg, with the average age of 21. The origin of the band goes back to 1978 under the name of GENTRY consisting of Kai Hansen (g,voc), Peter Sielck (g,voc) and various often changed drummers and bassmen, with a program including conversion sof Uriah Heep and Black Sabbath as well as own songs, which already expressed the general musical tendency. In June ’78 they won the first award on a festival: The CAN Cup.
In 1980 they renamed themselves in SECOND HELL. Shortly after they took in new and steady members with Markus Grosskopf (bass) and Ingo Schwichtenberg (drums). From now on the fou developed a Judas Priest/Iron Maiden-like style. The tracks “Murderer” and “Victim of Fate” composed during that time still fit in to todays HELLOWEEN-concept. Kai and Peter alternatively performed soli because they didn’t care about the typical rhythm lead guitar classification.
In 1982 the name was changed again to IRON FIST and several performances at rock-festivals were joined in by them. Internal group difficulties caused Peter’s departure and led to automatical pause.
After some time lead guitarist Michael Weikath offered Kai to enter his group POWERFOOL. They showed that two extraordinary guitarists matched most well together in their musical feeling yet they more tended to keep to the Heavy Metal-style rather than POWERFOOL‘s Hard Rock. This resulted in POWERFOOL to be resolved and IRON FIST reborn with the membership of Michael, so that from now on the finally line up consists of as follows:
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Original band logo!
This is the real deal, not the fancy colorized modern version…
Within short a new concept revealed, expressed by tracks like “Oernst of Life” (out of the former POWERFOOL -repertoire) and “Metal Invaders” both recorded on the “Death Metal” compilation issued May ’84 by Noise Records, Berlin. Prior to this the group changed their named to HELLOWEEN.
Resonance to these tracks was so overwhelming that HELLOWEEN had a feedback of fan letters from all parts of the world, Sweden, Denmark, France, Netherlands, Belgium, Poland, Italy, UK, Canada and on top of that USA besides of course Germany. Especially “Metal Invaders” was emphasised as a highlight and is meanwhile regarded as to be a classic. Following were gigs in Hamburg-scene places Knust, Sounds and Logo (last one with GRAVE DIGGER), two with MANIA at the Leine Domicil in Hannover at FZB in Schneverdingen. Furthermore a Germany-tour is provided in autumn ’85.
As Noise Records registrated exceptionally positive resonance and believes in the abilities and future of HELLOWEEN late ’84 a contract for further productions was concluded. Studio-work began in Jan/Feb ’85 with the 5-track mini LP enclosing “Starlight”, “Murderer”, “Warrior”, “Victim of Fate” and “Cry for Freedom” issued in April ’85. In March ’85 the track “Murderer” was remixed for the Metal Attack Vol.I compilation issued April ’85 with Noise bands exceptionally presented by the German magazine Metal Hammer in collaboration with Noise Records.
There are no studio demos. Only some exercise tapes exist, are, however, not available.
HELLOWEEN‘s stylistic marks are complicated twin-vocal guitar riffs, hymniclike powering sung parts, hunted by aggressive metallic tone sequences which are expressed by Kai and Michael with rasant solo duels and a variety of thundering bass bangs by Markus and violet steamhammer-like drums of Ingo.
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*If you enjoyed reading this post or viewing the rare Metal memorabilia from the 80′s, then please spread the word via true 80′s underground style by forwarding this to any family or friends who may like to read it [27 years later]. You can also sign up to receive post updates via email. Just visit the right hand corner and enter your email. MUYA.
It’s Christmas time, so we’re bringing you a special post and a unique opportunity for all of you “axe-masters”, or “shredder wanna’-bees” out there in Metal land.
Demolish Magazine has teamed up with Guitar Master Class [a Swedish-based online instructional website and community] for a special holiday contest giveaway. That’s right, I said GIVEAWAY folks. Everyone knows the economy is in the dumps and funds are tight this year, so this will be perfect timing for some of you. So what’s the catch? No catch, it’s fist come, first serve.
GMC is a video lesson archive & online community. They feature tons of helpful videos, instructors, lesson and a forum for chatting with teachers and students 24/7. They also have recording collaborations where you can attend video chats + content for bass, drums, singing, piano etc. All genres and styles are covered – Rock, metal, shred, blues, jazz, country & acoustic, funk…They want you to have some fun while learning!
There are 5 full six month GMC memberships [valued @ $150 ea.] for our loyal readers! Just send us your name and email address and a short description of why you want to be the next Jimi Hendrix or Jeff Beck. That’s it. I will send the 5 lucky contest winners and they will setup your GMC accounts. When does this start? Well, if you are in fact reading this -then that means the contest has already started. Don’t put it off, NOW is the time to dust off that axe in the corner or time to plug-in that shiny new guitar your folks just bought you perhaps. So get rocking NOW!
Contest Winners will get instant access to:
-14415 videos, 2404 lessons and 41 instructors.
-Register at GMC forum – join a virtual band, chat with any instructor etc
-Backing tracks at different speeds & jam loop with every lesson
-Daily updates (average of ~10 new videos per day)
-EXTRAS: Gear-, singing-, recording-, bass-, piano- and drum lessons. GMC Theory Grimoire eBook !!!
About Guitar Master Class
Guitar Master Class is a special place where you can improve your musical skills and meet people with the same interests. The main focus is on having fun while learning because we believe that your learning curve is most effective if you have fun at the same time. Guitar Master Class also strives to inspire students to find your own unique style. To help you become a great guitarist, we have collected a crew of skilled guitar instructors from all around the world, and they are around the site 24 – 7 to answer questions and give you feedback and support while practicing.
Guitar Master Class, often called GMC, was founded March 12th 2006 by Kristofer Dahl – a professional guitarist and instructor resident in Stockholm, Sweden. GMC is run by the Swedish company Rock My Web AB, owned by Kristofer Dahl and Maria Gasch. From the beginning, the Guitar Master Class website has been developed in close coöperation with Henrik Skotth Konsult AB.
GMC grew steadily in a short period, and today thousands of daily visitors and members take part of video lessons and the friendly GMC community. One of the first lessons ever was “Curious Coincidence“.
5 Questions with GMC founder: Kristofer Dahl
What is your date of birth?
“September 12th, 1981″
Location:
“Stockholm, Sweden” states Kristofer.
How long have you been playing guitar?
“Since 1998. I picked up the guitar at the age of 10 and I started practicing seriously at the age of 18. I took regular lessons during one year learning theory with Therion guitarist Kristian Niemann. Before deciding to professionally go for a music career I studied matheology, informatics, environmental care, political science and even sport fishing”.
Could you tell us a bit about your playing and some of your influences please.
“I am fascinated by Marty Friedman’s phrasing, vibrato and unusual note choice. I love Steve Morse’s musical approach to speed picking. Allan Holdsworth’s playing is from another planet and every aspect of his music is totally unique (to me!). Eric Johnson’s approach to perfectionism and tone is something I believe everyone can learn from. Yngwie was the guitarist who opened up my eyes to what was possible on the guitar, he also has a vibrato worth checking out”!
What is the most important thing for the students at GMC?
“I believe the most important thing is how you approach learning, practicing and your own potential as a musician. Hopefully I manage to get this through in my lessons and forum participation. GMC has changed my life through the response I have received from students and instructors here – I hope the same will happen to you!”
Good luck to everyone with the contest and Merry Christmas (early)…special thanks to all @ GMC for their generosity and for providing such a great online community and a “kick-ass” instructional palace!
Our readers will know that I am not fond of press releases and or reporting on the same ole’ crap that you can see on hundreds of other Metal blogs or syndicated news services, but today I felt compelled to pass along some interesting info that appeared in my in-box today….mostly ’cause it featured some noteworthy Metal “name-drops” from my hometown – CHICAGO, but I’ll admit the book intrigued me as well!
Mosh Potatoes (Simon & Schuster) is a book that features 147 recipes from legendary icons like LEMMY, ZAKK WYLDE and LITA FORD to the thrash titans of PANTERA, MEGADETH, TESTAMENT, OVERKILL and ANTHRAX to the hair metal bands of GUNS & ROSES, DOKKEN, LA GUNS, STEEL PANTHER, TWISTED SISTER to the mayhem of metal including MUDVAYNE, LAMB OF GOD, SHADOWS FALL, HATEBREED and DEVILDRIVER to death metal pioneers of NAPALM DEATH, OBITUARY and DEATH and the book wouldn’t be complete without the future of the new school like MUNICIPAL WASTE, SKELETONWITCH, HOWL, EVILE and MOTH EATER.
OK sounds pretty cool – so on to the Chicago info!
Mosh Potatoes – CBS News Interview
Music Industry veteran and musician Steve “Buckshot” Seabury author of “Mosh Potatoes – Recipes, Anecdotes & Mayhem From The Heavyweights Of Heavy Metal” was interviewed on CBS News Program about their “The Best Of” segment. Seabury was asked what he thought was the ultimate Metal restaurants and bars in NYC, Chicago and Los Angeles. “Who doesn’t love Metal and good food? These are the places I love to hang at when I am on the road or just going to grab some grub with my friends” states Seabury about his decisions.
*You can find one of his Best Of picks at the links listed below [yes, minus the NYC & Los Angeles links of course].
The Chicago Reader noted for its literary style of journalism, is acclaimed for their critic’s choices and recommendations in film, music, art and dining has named Mosh Potatoes in their top 10 cookbooks of 2010 in their year-end Food & Drink Column.
Kuma’s to me is METAL!!!! When you walk into the place you think you have died and gone to Heavy Metal Heaven. The smell of the grill, the music blasting, and range of beers makes this spot one of the greatest places to eat.
They have 22 kick-ass burgers all named after some of the greatest metal bands ever to jam on stage. When you sit down to eat you feel you are going to your very first metal concert. It’s that good. I recommend the Judas Priest and Neurosis Burgers. They will give your taste buds whiplash! Oh yeah. Did I mention they have Mac & Cheese too? Well they do, and it ROCKS!
Steve Seabury has an extensive history in the music industry from performing, working at various record and marketing companies. He began his career at Mayhem Records, where he helped launch such acts as Cradle of Filth and Nothingface into stardom. At Spitfire Records/Eagle Rock Entertainment, Steve was the National Sales Director and A&R and had the opportunity to work with rock legends Testament, Zakk Wylde, Ronnie James Dio, Alice Cooper, Ted Nugent, and new developmental acts like Dog Fashion Disco and Sixty Watt Shaman.
At Concrete Marketing, Steve orchestrated and initiated several marketing campaigns for many platinum artists, including Metallica, Velvet Revolver, Iron Maiden, Avenged Sevenfold, Breaking Benjamin, Damageplan, Judas Priest, and many more.
He has taken his experience and recently formed two new companies: Barley & Hops Management and a new Record Company called Giddy Up! Records that is distributed through Sony/Red. You can also see him thrashing like a maniac with his new metal band, Moth Eater. Steve lives in Queens (home of the New York Mets) with his wife Lisa. This is his first book.
It’s flash back time folks. The summer of 1980 to be exact. A time when I was just starting to “swim in the waters” of all things hard rock. I was in the sixth grade and my appetite for rock music was insatiable. One day a local FM channel (KC-103) announced a band called Amulet and proceeded to play a rockin’ cut called Just Like A Woman. I instantly clicked with their sound (esp. the guitar), which was catchy, melodic Hard Rock with a tinge of blues and some power chords. The songs were memorable and easy to get into -perhaps that’s why I liked it so much.
*Click to listen to “Just Like A Women”
Without a doubt, Amulet were top-notch musicians. Musicians whose hometown was none other than Evansville, Indiana. Evansville is in the South-Western most tip of the state. Yes, the state that kinda’ looks like a “boot”. Follow that to the tip of the “boot”, all the way to the bottom left hand corner and that is in fact where we are kickin’ it from for this special post.
Amulet’s career was pretty short, but Bob Becker (guitars), Clif Hill (vocals), Paul Skelton (bass) and John Becker (drums) certainly made a stir around the Midwest while active. On a more national level, the band was able to garner some major label interest. Overall most reviews tend to be favorable, but unfortunately some of the various “music journalists” out there have been quite critical of them in their past reviews. Often citing a thin production and or copious amounts of borrowed styles/sounds from certain bands.
Forget what those sharp-tongued critics have said, if you are into early releases from: Aerosmith, Kansas, Montrose, ZZ Top, B.O.C., Van Halen, Nazareth, Robin Trower, Heart, Bad Company, Uriah Heep etc. then you most likely will like Amulet’s music as well. Do I think they ripped-off these bands? No. Are they possibly influenced by these band -of course. Was their sound groundbreaking? No. Was it revolutionary or totally original? Nope. But it certainly was well-played, honest, Midwestern music that I thought deserved much more attention! Read on…
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In 1980 it was a totally different time in the music industry. There was no such thing as the internet, so it wasn’t very easy to promote your band and or get a recording/management contract —let alone being so far removed from the main music industry hubs of New York or Los Angeles. Even though this put the band in somewhat of a “pickle” -I fully respect them for writing original material and for recording their self-financed album essentially “live” in the studio (with a very small budget I might add). This may be the norm now, but it certainly wasn’t in 1980!
I know every single Metal blog (and website) will be reporting on this and as much as I tried to resist, I decided to cave-in and make a post about this historic worldwide event as well. The reason for my change of heart? Well, it was when I read this post from the great Non But My Own blog.Of course I knew about the famous get together and all but I did not expect to see them all together on the SAME stage! Wow, now that was cool as I was impressed and at the same time intrigued by this.
So what was the hoopla all about?
Last December (09′) Anthrax, Megadeth, Slayer and Metallica announced they would come together for the first time at the Sonisphere Festival. There was a lot of skepticism if they could pull this off and if it would ever become a reality. I am sure lots of debates and arguments immediately ensued over the lineup, what could happen and all the other “what if’s”.
pic from Metal Sucks
For example: what if, Dave Mustaine and Lars Ulrich duke it out on stage or backstage one night? What if, the bands in general could not get along. Would one band or another pull out mid tour? I agree, all that was silly banter and nonsense, but you can’t help but wonder about some of those things and a zillion other silly things that “could” happen.
So what is the real reason for all of these intense debates from the comment trolls that patrol the various Metal blogs?
It’s no secret that Dave Mustaine has had a beef with 3/4 (Lars, James & Kirk) of Metallica, 1/4 (Kerry King) of Slayer and a slight “mini-feud” with 1/4 (Scott Ian) of Anthrax last year. That puts him in a unique position compared to the other bands and various members.
Dave Mustaine initially approached the tour with skepticism. When asked about the tour rumors in a September 2009 radio interview with Eddie Trunk. Mustaine stated, “It would be foolish of me as a businessman to not take that opportunity, and it would be dumb of me as a band leader to not do that for the guys in my group and for the fans of the band.”
Could this be the biggest ego clash ever for Megadeth and Metallica?
Immediate thoughts of METALLICA and MEGADETHfinally burying the hatchet (for good) after 3 decades popped into my head! I for one would really like to see this as I am tired of reading about it and besides, it’s not healthy for them to constantly go at each other in the press and behind-the-scenes like that. It’s just not worth it. Life is too short guys!
Fast forward to 2010 and it started to seem like this event really was going to happen as planned.
Says Lars Ulrich (Metallica) of this historic tour announcement: “Who would have thought that more than 25 years after its inception, Thrash Metal’s Big 4 would not only still be around and more popular than ever, but will now play together for the first time…!”
Enter the Sonisphere Festival in Sofia, Bulgaria (of all places! – ed) June 22, 2010.
The Big Four: Metallica, Slayer, Megadeth, Anthrax, was presented by NCM Fathom and BY Experience and included nearly 4 hours of live performances and behind-the-scenes footage. When you watch those countless new movie previews on TV, did you ever think you would see something of this magnitude and hear the announcer say “The Big Four: Metallica, Slayer, Megadeth, Anthrax is coming to a theater near you”?
Turns out this event was presented in high-definition in over 450 movie theaters nationwide by NCM Fathom. What a cool idea, especially since it was in freakin’ Bulgaria right! I am not sure why it happened there as these bands are from America. Either way, it was a great night and although everyone expected them to appear the same night, I’m sure no one realistically expected to see them all on the same stage and at the same time! Yikes, now I wish I was there in person. Check out this historic video that’s been making the rounds:
As you can see, this was an all-star lineup playing the great “Am I Evil” by DIAMOND HEAD. What did you expect them to sing? “We are the World” or something (ha ha -ed)? I just wish they would have played the entire song —now that would have amazed.
Better yet, they should have at least switched instruments and maybe let Dave Lombardo from SLAYER or Charlie Benante (Anthrax) get behind Lars’ drum kit. Whoa, think about that one; Lombardo kickin’ it up a notch with the Metallica boys on a special Speed Metal version of “Am I Evil”. Dream on, as it did not happen.
What did happen (if you did not watch the above vid -ed) was the drummers for the “other 3″ bands were set up off to the side of Lars’ drum kit and were bangin’ away like a crazy retro/futuristic tribal beat down (ala’ SEPULTURA). They looked genuinely stoked to be there and pounded away, but I am sure this was awkward for these three very talented drummers to essentially be “playing second fiddle” to Lars (who doesn’t even come close to Lombardo, Benate and Shawn Drover in the skills department). I did enjoy the part at the end when they did in fact start hitting cymbals and drums on Lars’ drum kit.
Did anyone see Mustaine hug it out with Lars and James before they started?
Everyone seemed to know what was going on except for Anthrax vocalist Joey Belladonna. Maybe they did not tell him what was to go down —maybe they didn’t tell anyone what the grand finale was going to be, as Hetfield, Mustaine and Belladonna all took turns singing. I am sure they just assumed everyone involved knew that legendary Metallica song (ahhh-hmmm) Diamond Head song! Other than that blip, it seemed to be a very cool show.
“After 29 years of doing this to reach this apex is just so fucking cool,” Tweeted Anthrax guitarist Scott Ian moments after the performance. “It was a monumental moment of epic proportions. I’m so high from the experience I can’t sleep.“
*The last time Mustaine performed with Metallica was on April 9, 1983 at the legendary Brooklyn, New York club L’Amour.
Some other cool spins on the epic onstage madness (that would have been cool):
Metallica doing “The Four Horsemen” with maybe James and Dave tag-teaming the vox and with Kirk on the lead guitar solos.
Having Megadeth do “The Mechanix” but with Kerry King sitting in on guitar. That would be hella-cool. Yup.
Or having Metallica set up on one side of the stage and Megadeth directly on the other side. Have each band bang out their respective version of the track and then join together as one and rip it to shreds! That would make long time fans just lose it I am sure. So if you guys need some ideas for if/when you bring this show to the states then this is it! You read about it here first folks…
Feast your eyes on a few photos of the recent Big 4 of Thrash reunion…
*what I wouldn’t give to have taken these historical shots!
Now tell me this is not a truly awesome photo. At the beginning of their festival run, the Big 4 of Thrash united for this photo shoot.
In this next group shot, it kinda’ looks like everyone was a little apprehensive during this photo-op or perhaps a little unsure of what to do. I see a lot of horns and black sneakers!
Wanna' take bets this will NEVER happen again?
These pics make me happy and beside these bands pretty much paved the way for Metal.
I will admit though that I think if this happened twenty years ago it would have been more interesting. The bands were much younger and at the top of their game.
pic deathstar330.blogspot
“The closest the world has got to having the “Big Four” tour together came in 1991 when Slayer, Megadeth and Anthrax were joined on tour by newcomers Alice In Chains (who stepped in for Bay Area thrashers Death Angel) on the Clash Of The Titans tour. The tour also went to Europe where Megadeth and Slayer performed without Anthrax and Alice In Chains but with Suicidal Tendencies and Testament.”
The only ones that are in top form (in my humble opinion -ed) are Megadeth and company.
The new Slayer isn’t bad but they are not as stellar as they used to be. I will give them credit for not jumping ship and for sticking to what they do from the beginning.
Metallica tried to come back with their latest effort but I basically wrote them off after And Justice and for All. I tolerated the Black album (and respected it for what it was) but after that —forget it.
The on going Anthrax drama is a bit long in the tooth and perhaps the band too. I am glad to see Joey back as I prefer that lineup. NO disrespect to the John Bush-era lineup but that just never seemed to be the right replacement for them. They made some great music together but all I can say is that it was just a “different” Anthrax. Not bad but certainly not great either.
I read a lot of complaints online about whether Anthrax should even be on this bill because they have haven’t done anything for years. But I suppose back in the day they were the sh** and I don’t have a problem with it.
Some other names were thrown around in the forums such as Testament, Exodus and OverKill. Apparently Anthrax sold more records than those bands and garnered more exposure around the same time as the other three, so they’re in the ‘Big Four’.
According to Slayer guitarist Kerry King, while speaking to Britain’s Metal Hammer magazine, King stated: “Maybe us, Metallica, Megadeth (and), I think he (Lars) even threw in Anthrax and I said in this day and age, I know we had that time together but how do you leave out Machine Head? There’s better options than Anthrax and that’s nothing against Anthrax, but they’ve just been in pieces for quite some time and that doesn’t make as much sense to me.”
At the end of the day it was an awesome night with such a nostalgic vibe. Everyone seemed to behave and “play well” together. I am down for The BIG 4 sharing the stage here in America for a repeat performance folks!
Yes indeed Metal fans, for now it seems that “the egos have landed”.
*Thanks to all the following peeps for giving their genuine compliments and (non-solicited) praise, in such a friendly, yet professional Metal Manner! Please support their site(s) & show some link-love.
Horns Upto everyone!
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…worth digging into!”
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tense for the Demolish site. Really enjoyed the content.”
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It’s not often you find people who have bridged the indie print zine world and the new online world.
It really provides a unique perspective combined with a whole lot of credibility!”
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beat the 1980′s for it & you are the80′s Heavy Metal
authority at DEMOLISH!!! Very, very, well done! Metal kudos on Demolish!”
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That Wrathchild Americaarticle in Demolish is awesome!!!
Shannon Larkin is a huge influence on my drumming and he’s a super cool guy!!!
Thank you and take care Curt!”
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Renrats’ Metal Bazaar
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Good luck, and keep up the awesome work – I think your site is going to blow up”
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because we’re pretty sure your article on the Japanese site is the cause for the jump in sales!”
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I like the interviews! Nice to know that the spirit of ’80s metal is still alive!
It’ll definitely be a place I visit when I want to know more on a specific band.”
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The “old school” hand-drawn logo is a part of the Demolish charm. We’re subscribing to your mag.”
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I lived those years with great intensity (I’m Forty now) so Demolish has brought me good memories.”
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I briefly talked to Cliff in 84′ during the Aardschok day in Zwolle ( Netherlands)
while headliners Venom were doing their show!!! R.I.P. Cliff.”
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*I want to take this time to thank all you for reading Demolish onlineand for making it such an overwhelming success in just 5 short months! We are working hard to continually make Demolish better and to strengthen its overall quality-level.
Stay tuned for a whole grab-bag of entertaining posts, more rare photos, tons of cool reviews and lots of special feature-length interviews (all derived from Issue #1 & 2 of Demolish Fanzine). There’s even been talks of resurrecting the zine’ in the near future (as DEMOLISH A.D.) into a current, legit online magazine! Rock On!